by Donald Margulies
Jonathan Waxman, a Brooklyn Jew, has become a wealthy, critically acclaimed artist so popular that collectors will buy his work "sight unseen." In London for a major retrospective of his… Read more >
The New Jewish Theatre is pleased to announce our 2014-15 Season. Read about it in the St. Louis Post-Dispatch. Flexible subscriptions, single price.
The New Jewish Theatre, St. Louis' Premier Small Professional Theatre, is a culturally specific theatre dedicated to the exploration of universal themes and issues and the examination of the full range of the human experience filtered through the lens of the Jewish experience. Through the medium of theatre, we build bridges of multi-cultural understanding, tolerance, communication and education.
The New Jewish Theatre operates under a contract with Actors Equity Association.
New Jewish Theatre was honored with FIVE Theater Circle Awards for 2012 after having received an 11 Nominations!! Only the Rep received more Awards.
"Talley's Folly" and "Way to Heaven" each received 2 Awards and "Jacob and Jack" also received and Award.
Nominations were in ALL categories
See all of the Awards and year end accolades here
RFT Best of 2012
Peter Mayer and Bobby Miller got under one another's skin in the most tensile ways in New Jewish Theatre's The Value of Names. The play's plot concerns two lifelong friends who have been estranged since the plague years of the Hollywood blacklist. Now they are briefly, if awkwardly, reunited. Like the characters they portrayed, Mayer and Miller also are lifelong friends. But if that's all it took to summon great acting, lots of thespians would be great. Theater magic is never that simple. How do two actors settle into an illusory groove that allows them to almost breathe together? Yet when that groove is found, any semblance of "acting" stops. At The Value of Names, viewers felt like eavesdroppers listening to a painfully intimate conversation they had no right to hear. In a situation like this, the rules of conventional theater disappear. The characters are running the show — and it's a wary privilege to watch them.
Clifford Odets' 1935 saga of restive lives trying to ride out the Great Depression is one of those classic American dramas that, though much revered, is rarely staged. So what a relief it was to finally see Awake and Sing! and learn that its reputation is deserved. Odets crams emotions into this lusty chronicle of three generations of a family living in the same congested Bronx apartment the way others cram weeds into a yard-waste bag. The eruptive staging at New Jewish Theatre, directed with a sense of urgency by Steven Woolf, blew off the dusty stigma that shrouds too many classics. For the most part, the cast reveled in the infrequent opportunity to enact roles that, if anything, were overwritten rather than under. It sometimes seems that we live in a world where the past is too soon forgotten. But during the New Jewish run of Awake and Sing! the American theater heritage was alive and well — and electrifying
Explore New Jewish Theartre’s Youth Theatre Program and upcoming auditions. Learn More >
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Also available, products for Gesher Music Festival click here